Meaghan Wilson Anastasios

Screenwriter and bestselling author of 'The Honourable Thief', 'The Water Diviner', and 'The Pacific: In the Footsteps of Captain Cook.'

Earlier this year, the fine people at Bolinda approached me about writing some pieces for their new website. In keeping with their passionate and thoughtful approach to what they do, they wanted to showcase new ideas and fresh ways of looking at the world in general.

They gave me free rein – always a little dangerous. But it meant I could wander off into some bigger picture ideas about where the world seems to be heading, and how we’ve ended up here. Long and short of it – I’m having a blast.

Today, they published the first of these journal articles. It’s primarily an interview with the inspirational Robin Whitten, founder of AudioFile magazine. But it includes a potted history of the origins of human storytelling, and a new way of thinking about the eternal audiobook vs. printed book argument (spoiler alert: audiobooks come out on top.)

If you find yourself with some time on your hands, have a peek. And let me know what you think.

Audiofile’s Robin Whitten, and the rise and rise of audiobooks in 2021

That’s right. Jack Irish series three. My brilliant husband’s labour of love, along with the contributions of some other hacks… Andrew Knight, Matt Cameron, and Alli Parker, starring Guy Pearce and made under the always sharp eye of Ian Collie.

I snuck a sneaky peek at the rough cuts over the husband’s shoulder. And it’s an absolute pearler of a series. Even if I am a little biased. Guy Pearce is at his absolute best (and, yes, before you ask, he really is as good a bloke as you’d imagine), and all the people you’ve grown to love over the past ten years or so are back and in top form. It’s a beautiful coda to a very Melbourne story and a nostalgic journey into some themes that tweak the heartstrings and talk about the inevitability of change. Plus, it’s a cracker of a story.

And, yes, that is a “Prince of Prussia” bottle of wine in the photo. Those of you who are fans will know what that means. The second photo shows the “tasting notes” on the back of the bottle. Andrew’s contribution to the crew gift at the wrap of the first telemovie. “… aftertaste that endures like an incurable taste of herpes.” 😂 Anyways – 4 episodes, starting tomorrow night at 8.30pm AEST on #abctv and iView after that.

A call-out to my brilliant brethren in Sydney. I need your help (And please feel free to share this round. The more, the merrier).


Well, further to my last post, I love my job, in part because I never really know what I’ll be doing from one minute to the next.

Case in point. A producer in LA has asked me to help out on a new international series. Can’t reveal more, or I’d have to kill you. Actually, strike that. I can say a little more, because that’s where you come in. Problem is that I have to be all cloak and dagger and can’t give many specifics. Non-disclosure agreements and all that.
So—I am calling for suggestions for completely brilliant, innovative small businesses in Sydney that (and this is important) fit the parameters below. Yes, they need to tick all the boxes.

Being as how the Emerald City is full of makers, doers and all-round legends, I’ve got plenty of candidates in mind. But I’m keen to see your hitlist!

They must:

* Be Sydney-based (or max 2 hrs from CBD), or have a strong connection to Sydney * Have approx. 10 – 500 employees

* Embody innovation—I’m looking for world-changers here, peeps

* Preferably be tech or product-based

*Be headed up by a charismatic front-person/people who isn’t/aren’t shy about appearing on camera

But they should not:

* Focus solely on alcohol sales

* Be a business that focuses mainly on music or entertainment (licensing issues and all that)

* Be a restaurant… mixed businesses, though, are OK.

Triple points if they’re pushing for sustainability and diversity.

Thank you. Can’t wait to see what you come up with!

Good Question. Well, here’s a taster. And it might give you a sense of why I wouldn’t want to be doing anything else.

Exhibit 1: For the past month or so, on ABC Australia, I’ve been re-watching the TV series I co-wrote: ‘The Pacific (etc. etc. longest title ever conceived – and not my choice) with Sam Neill.’ “Good times… great memories”? Criminal understatement. Working on it, and writing the book to accompany the series for HarperCollins, was a life-changing experience.

Exhibit 2: Then last week, thanks to Smith & Singer and The Age, I got to hang out with two Frederick McCubbin bush fairies and throw some words about art across a page ( – published in the paper today. Yes! Art! On pages 2-3 of The Age! The editors must have decided we needed some good news. And… FAIRIES!

Exhibit 3: Somewhere in between all that, I interviewed the “god-like genius” (Trent Dalton’s words), producer, director, actor, and audiobook narrator legend, Stig Wemyss… Though the man I encountered was closer to what someone on the interwebs described as: “child-friendly Billy Connolly meets Metallica.” I was speaking with him for an article to appear on Bolinda audio’s soon-to-be-launched new website, but we gas-bagged for so long and covered so many topics, it didn’t feel like work at all.

Exhibit 4: Filling the gaps in between? Research for BlinkTV’s broadcast of this year’s Sydney Gay and Lesbian Mardi Gras for SBS Australia. I’ve done this for the past few years, speaking with the organisers of the floats – everyone from Oceanic Pups and Handlers, to Dykes On Bikes, Deaf Rainbow NSW, Harbour City Wrestling Club, Haka For Life and everyone in between. And every year I hear stories that make me weep with admiration for a pretty awesome bunch of people who band together every year to show us what the world can be if we all open our hearts to diversity and tolerance. Plus, glitter, sparkles, and beats to die for. Kudos, people.

So. That’s why I love my job. Never a dull moment.


This has been a journey of discovery, a love letter to my part of the world. It’s the story of an ocean as much as a story of people. It’s as much about the present as it is about history.” Sam Neill

Written with sparkle by Anastasios… Neill comes across as the ideal travelling companion with whom to follow in the footsteps of Captain Cook.” The Australian.

So, what now feels like a lifetime ago, but was actually only 2018 (thanks for that, 2020—the year that seemed to stretch on forever), a TV series I worked on as scriptwriter was released. Oh, and there was the book I wrote for Harper Collins to accompany the series as well. Working on it was—and I really don’t say things like this very often—a truly transformative experience.

Anyway, aforementioned series aired in various places internationally, but in Australia it appeared on Foxtel. Which is all very well if you subscribe to cable TV. But for most of my friends—who do not—The Pacific: In the Wake of Captain Cook with Sam Neill was the proverbial falling tree in a forest. If a TV series airs and nobody sees it, did it ever really exist?

But now, it’s being released on Free-To-Air TV… on good ol’ ABC Australia. So now, Australian friends, you’re out of excuses. It’s a rollicking good series helmed by the incomparable Sam Neill that tells the story of the people who had been living in The Pacific for thousands—and in the case of Australia’s Aboriginal people, tens of thousands—of years when Cook’s ships arrived in Antipodean waters. Sam speaks with First Nations people from one corner of the Pacific to the other, and hears from them what Cook’s arrival meant for their way of life. It’s a new way of looking at a story that, for those of us who are descended from new-ish arrivals in the region, is unfamiliar, but all the more important for it.

I don’t always plug the shows I work on. But I’m actually quite proud of this one.

The series is screening at 9.35pm over the next five Monday nights (first ep was Monday this week) and all episodes can be accessed on iView after they screen:…/pacific-in-the-wake-of…

As for the book, you can pick that up here:…/the-pacific-in-the…/

So, I’ve been pretty quiet on the socials lately. Because I live in Melbourne.

Yeah. Nuff said.

Last lockdown, we were all grappling with uncertainty. Switch to me documenting all the everyday things I was grateful for… and the posts to remind myself. But as anyone who is going through it can attest, lockdown mk II has been a very different beast – am I right, fellow Melburnians? The focus this time round has been trying to help my two small humans through what has been an abysmally disappointing and unsettling time for them, while also fighting to get work.

As the brilliant wordsmith and ultimate pragmatist, Jacquie Byron, once said to me – it’s all about the hustle, lady. So that’s what I’ve been doing. Massive upside being I’ve finally achieved a personal milestone – to see one of my articles published today under The Guardian’s masthead. The depth of its Arts (caps used advisedly) coverage is absolutely stellar ⭐️ and gives the sector the voice it so desperately needs. I couldn’t be more proud of the association with them.

So – “Can Hollywood on the Gold Coast help save Australia’s floundering film and TV industry?” You’ll have to read it to find out.

To say that our country is in the grip of an apocalyptic m

oment in its history is not an exaggeration. The feeling of impotence, grief and desperation I’ve been feeling from the safety and comfort of my safe house (literally… my house is safe) in the heart of a smoke-clogged Melbourne is overwhelming. Yeah, @scottmorrisonmp I’m not qualified to hold a hose either. I‘d only be in the way.

So what to do? Well, thanks to the fine souls at ‪#AuthorsForFireys , otherwise useless creative types like me now have an outlet to make a practical contribution in some way. If you head over to Twitter, @MWAnastasios , I’ve put a collection of literary things up for auction – for your consideration:

1) signed copies of my books incl The Water Diviner, The Pacific in the Wake of Captain Cook with Sam Neill, The Honourable Thief, and The Emerald Tablet

2) a rare ltd biscuit tin issued for the release of The Water Diviner – it’s unopened so still contains a pkt of antediluvian Anzac biscuits you’d be wise not to eat if you value your health and well-being

3) a character name in my next novel. You could pick your name, or the name of a loved one… or your nemesis! The choice is yours.

You just have to post a bid on my Twitter thread, then if you’re the highest bidder when the auction ends, make a donation to the CFA for that amount, send me a pic of the receipt, and I’ll send the goodies to you. Easy! Meantime, #FireysForPm. Auction ends 11pm Sat. Thank you in advance. Helping each other – it’s what we do. 💕

When I say I’ve always wanted to be an author, I’m not exaggerating. Witness: my first self-published piece of fiction: “the elvse and the showmaker”. Yes, I clearly needed the guiding hand of a good editor. And I was yet to grasp the concept of plagiarism. But, still – I was barely 5. Cut me some slack. If I was a visual artist, I’d be calling it ‘appropriation’. And I segued to another ‘appropriated’ tale to end my novel – “firoshus the puppy dragan” (aka: Ferocious the Puppy Dragon). ‘the dragan got the bisket and the little boy came a fabilus coke. the end.’ Transl: ‘The dragon got the biscuit and the little boy became a fabulous cook.’ Now, that’s what I call a twist – ending a story about elves and a shoemaker with a dragon and an ambitious young man. And, no – the association between cooks and coke is not something young Meaghan knew anything about.

Know what makes me smile? Seeing world-class, kick-arse Australian TV.

And that’s what I was privileged to be involved with last night. Channel 7 screened a preview of the first two episodes of Secret Bridesmaids’ Business and I was lucky enough to be in the audience.

The production is lush and stunning to look at, the soundtrack absolute perfection, the story gripping, the characters compelling, and the cast magnificent. Highlights – the gorgeous Georgina Haig as a bride-to-be being dragged backwards through the emotional wringer, Katie McGrath as a very conflicted bridesmaid, Abbie Cornish diving headfirst into trouble, and a charismatic Alexander England taking us to some surprising, and very disturbing, places. Berets dipped to the whole team.

Only quibble? That I have to wait to see the next four episodes. Nails bitten to the quick in nervous anticipation till then 😬.

Seriously, don’t miss this one.

And, yes, it is my husband Andrew also-of-the-ridiculously-long-surname you’ll see in the credits as writer. But that doesn’t sway me in the show’s favour. If anything, it makes me an even harsher critic.